Reflections on Yule

Yule is a turning point in the year. In a way, this is true of every festival in the Pagan wheel of the year, but it is said that the word Yule means a turning point.

There are many facets of Yule. There is the anarchic element of mumming, Saturnalia, the bean king, boy bishops, the lord of misrule, the inversion of the usual order of things. This aspect seems to be inspired by the concept of turning, and of liminality: being on the threshold, being neither one thing nor the other.

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Spiritual bypassing

Recently there has been a pattern on social media of BIPOC people expressing their completely valid pain and anger and sadness over the continuing murder of Black people by police, and getting pushback from “spiritual” people claiming that their anger is too much, or somehow misplaced. I have also experienced this phenomenon. I used to call it “spiritualler-than-thou” syndrome, until I discovered that it already had a name, spiritual bypassing.

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Spiritualism and Witchcraft

I am currently rereading The Meaning of Witchcraft by Gerald Gardner. I know I read his book Witchcraft Today about 30 years ago, and I am pretty sure that I read The Meaning of Witchcraft around that time too. His theory of the survival of witchcraft must have seemed pretty convincing to his earliest readers; and provided we do not assume that what survived was a full-blown Pagan religion, or an organized cult, then a lot of his ideas still hold water: namely, the impulses behind the earliest forms of religion and and magic, and how and why people might resort to magical practices even when they were officially frowned upon and then persecuted.

Whilst reading it, I came upon a passage that I found intriguing; it was a reference to a discussion of witchcraft and black magic in Parliament, together with the date and who said what. Here it is (page 13):

As you might imagine, I was curious to find out what was the context of the discussion which gave rise to this attempt to define “black magic”. So I looked it up in Hansard, the official record of the British Parliament, to find out. The interesting thing is that Hansard records other MPs’ interruptions, but it does not record the laughter and ironical cheers; so I would imagine that it was recounted in a newspaper of the day and Gardner must have kept a press cutting. The relevant section is about halfway down the linked-to page, under the heading “House, Brixton (Police Visit)”.

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The arts in Paganism

Pagan traditions like to celebrate the arts, whether it’s in the eisteddfod of Druid ritual, or the skaldic arts of Heathenry, or making things for use in ritual and around the home. If you look at any list of Pagan values, you will not find false modesty, self-deprecation, or other similar traits on the list. Humility is on many lists, but not modesty (in any sense of the word). Boasting and bragging are fine, and letting it all hang out is fine. False modesty about one’s artistic endeavours is not a Pagan virtue.

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Poem on a Birthday

Brigit Rest Goddess Grove. photo credit: Sadie

I am a lucky woman, and much gifted. Four gifts in particular I received this year:

a perfect July peach
a knife that fits my hand
a heartmeant compliment from a teenage son
and an argument for which I did not apologize

 

These things exist in our world, but they are exceeding rare. I know their value and will wear them forged and braided as adornment and strength. I am a lucky woman.

A woman grown so quiet here, in this space where just a year or two ago I was all enthusiasm. For a while my silence worried me. A theologian, I’ve had to learn trust over the months as my thought moves down, into the body. Into my body. A poet, I’ve had to face the fact that language flattens and distorts when tossed about too quickly. A woman, I’ve had to find a way to understand my silences as active and alive, rather than passive and inert.

All the myths and stories tell us the gift exists to be transformed and passed on, or it loses its power.

one sunflower 2016

photo credit: Sadie

 

A Poem for Women with Birthdays

 

It has taken me decades to learn to love
the way I pour each night into bed like a Midwestern river,
soft and insistent and ripe, effulgent with summer rain,

here and there paused and pooled
with minnows, with trout. Then too I am the voracious,
toothy carp jumping into the next boat that passes.

I was taught to play my breath out with care,
To run it over and through the knotted cords of my throat
like wind through a young grove of aspen,

to sing and laugh like the spring breeze that flirts
and lifts the hair playfully on a hopeful morning.
It’s a gift, that grace, but there are other gifts too.

By now I know we are equal parts joke and broken,
luscious bluster and blister, so very unspoken,
so very real. Silver and gilt. Sisters, tell me

how will you exult
in your gristle, the meat and fat of your flesh,
how will you rest in the mud of your marrow,

where important and ephemeral things go to be born?
Nameless and slippery, crunched and wiggling,
dark in the sockets of bone,

against all odds and cultural narratives,
we have time yet to locate each element and ore, here,
and here, and here again. Come closer.

 

photo credit: Vardaman

photo credit: Vardaman