Reblog: Where do your stones come from?

Where do your stones come from?

There is a deep irony in this. Pagan-y type folk often use stones and crystals to connect with the earth, to honour the spiritus mundi, the world-soul. Yet, frequently these stones themselves have been industrially yanked out of the earth without any consideration of the spirit of the place where they were mined, and often without any consideration of the humanity of the exploited workers toiling in hellish conditions.

Read on at wrycrow.com

Please read this very important post from Ryan Cronin, on sourcing your crystals ethically.

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Thoughts on Planet Narnia

Brenton Dickinson has an interesting post up about his upcoming critique of Michael Ward’s theory that the Narnia books were written to illustrate the ideas of medieval planetary astrology (one book per planet). I read a bit about Planet Narnia when it came out, but have never got around to reading it, partly because I can see that the books have planetary symbolism now that it’s been pointed out, but it is not the main point of the books.

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The God-shaped Hole

Some psychologists have suggested the existence of a “god-shaped hole” in the mind — a set of psychological functions that evolved for some other purpose (like detecting predators sneaking up behind us), but which predispose us to believe in gods, or in God, or the supernatural, or the preternatural, or something out there other than ourselves.

fractal by insspirito on Pixabay. [Public Domain]

Fractal by insspirito on Pixabay. [Public Domain]

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Fictional and constructed religions

What can fictional religions tell us about real religions? Are constructed religions just as valid as ancient ones? What about real-world religions based on fictional ones? One impetus for creating constructed religions is for use in jurisdictions where religious activity is imposed by the authorities – but people often find that their joke religion then takes on a life of its own.

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The landscape of gender

My preferred metaphor for gender is a scatterplot (not a spectrum). If one’s assigned gender is at point (a,b) but one’s actual gender is at point (q,r) then one needs to change to match one’s actual gender. If one’s actual gender is at point (c,d) it’s quite near one’s assigned gender, so the person is cisgender.

If we model gender as a spectrum, it suggests that male and female are at opposite ends of the spectrum, and supports the gender binary, hence positioning genderqueer, nonbinary, and gender fluid people somewhere on that spectrum, whereas they might be outside it. A line is a one-dimensional model. We have more dimensions available to us than that.

Perhaps we could reimagine gender as a landscape. The mountains of the Fierce Femmes. Little Cisgender on the Wold. The village of Enby. The river of Genderfluid. Much Genderqueer in the Marsh. The valley of the Otters, near Bear Forest.

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