It’s a curious thing, but when you’re behind a camera, especially one where you have to put your eye close to the viewfinder to see the field of view, you sometimes forget to really look at things and take them in properly. It starts to feel like the camera will do the remembering for you.
embodied spirituality
What shape is your spirituality?
The other day, I had an interesting discussion with Brenton Dickieson about the shape of the spiritual life.
I said, if I was to attribute a shape to my spirituality, it would be a tree, connecting spirit and matter, the heavens and the Earth, the human and the divine. If you think about the shape of a tree, its roots mirror its branches.
What is a witch?
A video in which I read an excerpt from my book, The Night Journey: Witchcraft as Transformation. I was particularly pleased with this chapter, as I think it’s very poetic and has some powerful imagery in it.
The Inner Work
A video in which I read an excerpt from my book Dark Mirror: the Inner Work of Witchcraft, all about the inner work and why I think it’s important.
New Instagram account
I thought regular readers of Dowsing for Divinity might like to know that I now have a public Instagram account, @birdberrybooks, where I will be posting videos, talks, photos, book reviews, and news of upcoming events and workshops.
My new book – Dark Mirror
Dark Mirror: the inner work of witchcraft
By
Inner work is a name commonly given to the inner processes that happen in ritual. It can also mean the transformation of the psyche that comes about through engaging in religious ritual. However, the best kind of inner work also has an effect outside the individual and outside the circle. When rituals are focused only on self-development, they tend to be a bit too introspective. Ritual is about creating and maintaining relationships and connections – between body, mind, and spirit; with the Earth, Nature, the land, the spirit world, the community, and friends. It is about making meaning, weaving a web of symbolism, story, mythology, meaning, community, and love. Creating a community that welcomes and celebrates diversity. Creating strong and authentic identity to resist the pressures of consumerism and commercialism and capitalism. Weaving relationship with other beings: humans, animals, birds, spirits, deities.
Poem on a Birthday
Brigit Rest Goddess Grove. photo credit: Sadie
I am a lucky woman, and much gifted. Four gifts in particular I received this year:
a perfect July peach
a knife that fits my hand
a heartmeant compliment from a teenage son
and an argument for which I did not apologize
These things exist in our world, but they are exceeding rare. I know their value and will wear them forged and braided as adornment and strength. I am a lucky woman.
A woman grown so quiet here, in this space where just a year or two ago I was all enthusiasm. For a while my silence worried me. A theologian, I’ve had to learn trust over the months as my thought moves down, into the body. Into my body. A poet, I’ve had to face the fact that language flattens and distorts when tossed about too quickly. A woman, I’ve had to find a way to understand my silences as active and alive, rather than passive and inert.
All the myths and stories tell us the gift exists to be transformed and passed on, or it loses its power.
photo credit: Sadie
A Poem for Women with Birthdays
It has taken me decades to learn to love
the way I pour each night into bed like a Midwestern river,
soft and insistent and ripe, effulgent with summer rain,
here and there paused and pooled
with minnows, with trout. Then too I am the voracious,
toothy carp jumping into the next boat that passes.
I was taught to play my breath out with care,
To run it over and through the knotted cords of my throat
like wind through a young grove of aspen,
to sing and laugh like the spring breeze that flirts
and lifts the hair playfully on a hopeful morning.
It’s a gift, that grace, but there are other gifts too.
By now I know we are equal parts joke and broken,
luscious bluster and blister, so very unspoken,
so very real. Silver and gilt. Sisters, tell me
how will you exult
in your gristle, the meat and fat of your flesh,
how will you rest in the mud of your marrow,
where important and ephemeral things go to be born?
Nameless and slippery, crunched and wiggling,
dark in the sockets of bone,
against all odds and cultural narratives,
we have time yet to locate each element and ore, here,
and here, and here again. Come closer.
photo credit: Vardaman
Creative Endarkenment: the Need to Ground and Shield
The common idea of “grounding” literally and figuratively sends us earthward. To the very real dirt we walk upon. Spirit is in the compost and in the leaf mulch, in the decay in the gutters and the dust under the couch. In the way things fall apart. To make new life, DNA breaks down and recombines. To make new families, households break up and recombine. It’s painful and messy and necessary.
This is not what most of us are taught. Re-visioning (human) nature as dynamic and always-changing helps us re-vision our own spirituality. Charles Eisenstein says in The Ascent of Humanity:
When we recognize that nature is itself dynamic, creative, and growing, then we need no longer transcend it, but simply participate in it more fully.
***
Participation takes a little precaution, however. Ground and shield. The advice is almost always applicable. 
It’s difficult to remember to ground and shield when lives are busy and pressure is high, when people are shouting. When we are shouting. And that is also possibly when it is most important. Here is a simple technique that anyone can practice. (Go ahead. I’ll wait.)
Find a comfortable position. Close your eyes. Breathe deeply for a bit. Feel the rhythm of your breathing.
Feel the breath of your body circulating. Feel the blood circulating.
Identify where the energy centers of your body are, at this moment. Where the tension is. Identify the emotions, the kinds of energy you are feeling. Exist there, still breathing deeply and regularly.
Feel those tensions slowly begin to stretch. Feel the energy begin to circulate with the breath, the blood. Let the energy of your body root itself, streaming down through your feet, into the ground. Let it sink and reach down deeper into the earth under you. Feel the roots of your being stretch downward. You are connected to the earth by this stream of energy. You are secure.
Take a moment to breathe in that space of security and sure knowledge.
Then, when you are ready, draw the healing and protective energy of earth up, even as your energy continues to descend. Visualize that energy shimmering around you, a shield. Does it take the form of water? Pellets of ice? Braids of fire? Woven flowers or pure light? Whatever elemental or visual image feels personally right for you, allow your shield to grow and strengthen around you.
Know that within that shield you are safe from others’ negativity.
Breathe, feel the flow of energies down into the earth and up into the shield.
With gratitude, still feeling your shield around you, slowly rise into the day, centered, focused, rooted and protected.
***
There are many ways to do it of course. The need to ground and shield has been brought home to me recently in various contexts, everywhere from Facebook threads that disintegrate, to my son’s slammed door over my head. It’s a loud and reactive world these days, with an unending stream of stimulation at our fingertips. We lose track of ourselves.
All this energy–which could be put towards our work–expended in arguing and memes and othering. We have a long way to go. There are as many ways to go about the work as there are people going about it. Look around at where you are, figure what you can do from here. Then ground. Spend some time with the grasses and mosses. The roots of dilemmas and the roots of trees. This season, bend close to the ground, focusing on the local, the small, the neighbors you can directly affect (and I mean neighbors in the most generous sense of the term: peoples and species and rocks in your immediate vicinity). The work is humble. Revolution starts where you are, with whatever size canvas you work with.
Creativity is by its nature radical (revolution and roots): poetry, justice advocacy, meal preparation, the crucial conversation with your high school son about how to get caught up on English homework—all of these have value, and dignity, and real worth in the world. Grounding and shielding helps us protect ourselves when the work gets messy, gets dangerous. And it will. As the poet Robert Frost said, creativity is “play for mortal stakes.”
The work looks different for each of us, but we each have work to do. Let’s try to honor each other as best we can, remembering the world needs our many diversities–and even our disagreements–to thrive.
Creative Endarkenment: The Need to Slow
Language holds clues.
When my son was very small, he used to spontaneously burst into tears and tantrums at random moments. It took us a long time to figure out what set him off. When we had simply been talking over our day, or reading a book together, or planning dinner, why was he so triggered? After some months, I finally had a breakthrough—or at least, I think I did. To this day I don’t know if I was right (but the crying did get better, so something helped).
It turns out he was upset by the words “up” and “down.”
They’re such slippery little words. We use them in so many figurative ways. Try making a list sometime of all the common phrases that use either of those words. For my literal minded son, at age two, it was simply overwhelming and confusing, to hear these directional words used in contexts where they became nonsensical. (Look something up in a book? Write it down? What do those things mean?)
***
For those of us who have managed to reconcile ourselves to the idiom-soaked nature of English, language holds clues. And the phrase “slowing down” is the one I want to focus on here.
I already wrote about the downward motion that is (to me) inherent in endarkenment. But there is also a slowing, almost to stillness. One cannot seek endarkenment with the clock ticking or the timer going off. And the very phrase, “slow down” suggests there is a relation between the movement downward and the loss of velocity. We come to rest. We land (we ground). The earth offers enough resistance that we pause for a bit before burrowing under the surface of things.
In the dark one feels one’s way forward, fingers splayed out, sensing. It’s necessary to move slowly. We are learning to trust new senses.
It may be necessary. But it isn’t comfortable. I am restless, impatient with myself, always frustrated at my own lack of progress, whatever the work at hand. There is so much to do, so far to go—and I am not nearly where I ought to be, say the voices in my head. Hurry. Push it. The end of the school year push brings a breathlessness and exhaustion with it.
I recently heard this bit of wisdom: We overestimate how much we can get done in a day, but always underestimate how much we can get done in a year. Thinking about this, I know it is true. At the end of any given day, my to-do list is mostly only half crossed off—but if I think back to where I was one year ago, I’m astonished.
Even when we feel stalled or stuck…we are actually moving. Things are happening at levels we can’t consciously navigate.
To engage creatively, we have to learn to trust ourselves.
This is true in writing poetry, as Yvonne and I wrote about. It’s true in any writing, including this blog entry. (I had to start four times before I found my way with this one. I had to walk away and come back, after days.) But more than that, too. I have friends who are grieving. Friends who are fighting. Friends who are searching their lives for what comes next. In all of these cases, creativity, and slow living, are called for to avoid flammable reactions or settling into the easiest, but not best, solution.
Living well, living fully, listening into the dark is an ongoing creative process that takes courage. For some of us, art is one byproduct of a life deeply dared and lived. (This is one of my ongoing arguments with Yeats, who claimed in “The Choice” that we must choose “perfection of the life, or of the work.” I see no choice to be made.)
And, importantly, we need to find strength enough to slow the pace of our lives down and let those deeper processes have the time they need to do their work on us. Growing, healing, changing takes energy. The temptation (culturally reinforced) to keep busy, to pack in more to every hour, to multitask, to squeeze in an extra errand, to fit one more thing into our already overly crowded schedule—this temptation must be fought off. With our claws. With our teeth. Because more often than not, not only is it antithetical to our growth as individuals, it is one way we actively build up walls to keep ourselves from facing the mess.
It is healthy, and necessary, to occasionally sit and look out the window on a rainy day. To stroll, rather than jog. To read a novel, rather than a blog post. To graze on fresh picked berries and herbs, rather than throw something in the microwave. Even just to sit in the sun and soak up the spring warmth and the scent of flowering trees. Above all, to put away the screens and turn the phones off for a while.
Something happens to time when we choose the slower path. It becomes more fluid. The minutes no longer tick second by second, rather they pour into each other, flowing and ebbing as our breathing shifts, as our thoughts slide and skitter and slide. We become a little more fluid, opening to change in ways we can hardly articulate. In such moments, it may feel to our restless, sensing brains as though nothing is happening. We certainly can’t point to evidence of being productive. And yet, a year of this, or even a month, or maybe even a good rich weekend of retreat, I can’t help but believe, would be life-altering.
This sort of slow motion living is how the deeper wells of being get stirred.
Are you ready? On your marks…get set…slow.
Creative Endarkenment: Downward to Darkness
Image of blood moon, Katrin Talbot, 2015
Effort lay in us
before religions
at pond bottom
All things move toward
the light
except those
that freely work down
to oceans’ black depths
In us an impulse tests
the unknown
—Lorine Niedecker, from “Paean to Place”
(Click on the link and read the whole poem, with correct formatting. Seriously, I keep losing the formatting when I type it in here and it is wounding my poet soul.)
***
When we discussed changing the name of our blog to “Dowsing for Divinity,” that word “dowsing” resonated for all of us immediately. As Christine put it,
When the three of us started brainstorming a new name together, once someone tossed out the word “dowsing,” we kept circling back to it.
And Yvonne added,
…we kept coming back to dowsing imagery, with its connotations of looking for hidden currents, connections with the unseen, hidden waters, and hidden patterns.
Tonight, I keep coming back to the physical feel of the dowsing stick, held loosely in the hands, and how it tugs the attention…I’m arrested by the simple motion. Downward. We are dowsing, and that means we seek to be pulled, downward.
The opposite of light is dark…but another opposite, in our language, is heavy.
In Wallace Stevens’s poem “Sunday Morning,” he ends with an image of birds at sunset, flocking “Downward to darkness on extended wings.” Darkness brings a sense of release, of letting go, of drift, the ceasing of struggle…eventually: death. There is a falling and fallen quality to endarkenment. We sigh, and let our guard and our defenses down. We can loosen the ties of the day. We can be a little more vulnerable.
But the wisdom of the dowsing stick isn’t a relaxing and drifting and letting go. Stay out here long enough in the dark, and there comes a time when we feel the tug in our gut, the impulse to nose our way down a little further into the murk.
Something in us wants to descend.
“In us an impulse tests/ the unknown” Niedecker writes. Moving our awareness down into the body takes us to the soft messy areas: to gut, to sex, to the muscled thighs. Our largest muscle groups. Our deepest instincts. To all that stuff we want to pretend we’re above. Camille Maureen, in Meditation Secrets for Women, agrees and builds on the idea:
“There are times…when the call downward is a transformative journey, a summons to the depths of the soul. People tend to think of spirituality as rising upward into the sky. In the traditional (male) teachings, enlightenment is often described as a flight from the lower centers of the body, the instinctive and sexual places, to the upper centers in the head and then out. …Everyone fears this descent, this sinking down. Yet sinking down connects us with the earth, with our personal ground, with our foundation.”
There are many journeys we’re called on, through our lives. The concept of “enlightenment” (and the hero’s story) encourage us to venture “up and out”…might it also be true that there are times to adventure down and in? The concept of endarkenment takes us not only into the dark but also down, towards (and into) the body, and the earth.
The rhubarb pushes its nubbly red thumbs up through the leaf litter. Lawns turn squishy with melt, worms once again emerge. There’s water everywhere suddenly, and with it, the muck of life, stirring, down at the roots.
Winter Creek Sky by David Graham
