Folklore Against Fascism

One of the highlights of my week is the Folklore Thursday hashtag on Twitter. I’ve not had time to look at it for a few weeks though, so it seems I missed the occasion when some völkisch fascists tried to hijack it, much to the horror of the regular participants.

One of them accordingly started a second hashtag, Folklore Against Fascism, and several participants tweeted about their opposition to fascism and commitment to inclusive folklore.

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Review: Tolkien Movie

I really enjoyed the movie Tolkien but found some of it to be odd. I get that biographical movies have to truncate, elide, and simplify, but they should be true to their subject. Overall this was a very enjoyable film, and Nicholas Hoult and Lily Collins were great as Tolkien and Edith. A fine performance from Adam Bregman as Geoffrey Bache Smith, too.

Spoilers after the jump…


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The folklore of the Wild Hunt

The Wild Hunt is a very widespread motif in Indo-European folklore and mythology, appearing in Indian, Greek, Czech, Polish, Slovenian, Swedish, Dutch, Danish, German, Italian, Spanish, English, and Welsh legends. The deity who leads it varies from one culture to another, and it has different names in different places, but enough shared characteristics to be fairly certain that it is the same folklore motif. It even has its own classification number, ATU E501.

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Triple Goddesses

Most people, when “the Triple Goddess” is mentioned, probably think of the Maiden, Mother, Crone archetype. However, this archetype can be very limiting, and there are many other triple goddesses who are worth exploring: goddesses of the land and sovereignty, goddesses with many skills and roles, goddesses who are women in their own right, not merely roles in relation to a man.

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Colours of Paganism

Paganism is an umbrella term for a group of religions that venerate the Earth and Nature, and the ancient Pagan deities. These religions include Wicca, Druidry, Heathenry, Religio Romana, Animism, Shamanism, Eclectic Pagans and various other traditions. All of these traditions share an urge to celebrate life and to honour our connection with all other beings on the planet. Pagans often emphasise the cyclical nature of reality, and so enjoy the cycle of the seasons and the dance of Sun and Moon.

Green is the colour everyone immediately associates with Paganism. It is the colour of nature, of trees, and all growing things. It is associated with the Green Man, a symbol of our connection to Nature, and a manifestation of the life-force. Many Pagans also like the colour purple for its spiritual connotations (it is associated with the crown chakra). Interestingly, purple and green were also the colours of the suffragette movement.

The Long Man of Wilmington, Autumn Equinox
Photo by OceanBlue-AU [BY-NC-ND 2.0]

The metals are traditionally associated with the heavenly bodies: gold for the Sun, silver for the Moon and the stars, mercury for Mercury, copper for Venus, iron for Mars, tin for Jupiter and lead for Saturn.

The white, red and and black colours of the Triple Goddess owe a lot to Robert Graves’ seminal work The White Goddess. He derived it from the tendency of the Irish myths to declare those “otherworldly” colours in combination, such as the red-eared white cow that was Brigid’s only food as an infant, the red, white and black oystercatcher that is called “Brigid’s bird” or the red-eared white dogs that occur in so many stories as Otherworld animals.

The four elements are very important in Paganism, and different mythological systems associate them with different colours. Earth is associated with stability, fertility, strength and nurturing, and can be represented by green, brown, or white. Air symbolises intellect, the breath of life, and the spirit, and can be depicted as yellow, white, or black. Fire represents energy, intuition, passion and vitality, and can be orange or red. Water represents love, emotion, fluidity, and healing, and can be blue or green.

The rainbow is an important symbol for Pagans. To Heathens, it the symbol of Bifrost, the rainbow bridge between the world of deities (Asgard) and the world of humans (Midgard). For many Pagans, the colours of the rainbow correspond to the colours of the chakras (borrowed from Hinduism). It is also the symbol of LGBT sexuality.

Colors of the Rainbow
Photo  by Nicholas_T [BY-NC-ND 2.0]

Diana Paxson and her branch of Asatru (a Heathen tradition) associate colours with deities: Oðinn is black and blue; Thor red; Freya and Freyr green and gold, or sometimes brown.

White is the colour of light, and is associated with the Maiden aspect of the Triple Goddess. It is also the colour most often chosen for Druid robes, because of its association with the Sun.

Black is the colour of darkness, but for Pagans, darkness symbolises a time of rest, dreams, and the hidden powers of Nature. It is also a symbol of the fertile earth, in whose dark depths seeds can germinate. It is also the colour of death and the underworld, but death is seen as part of the cycle of life, death and rebirth, and so is not to be feared. For some Pagans, black is the colour of the Crone aspect of the Triple Goddess, and so represents the wisdom of old age. It is also the colour of women, of the cycles of the human body, and of those people considered “non-white.” Black speaks to our love of mystery, night, and the realms of the unconscious and “starlight” consciousness. It’s the color of soil, dirt, compost. It represents wholeness.

Important Pagan Dates

There are different Pagan festivals depending on which Pagan path you follow, but many Pagans celebrate the festivals of the Wiccan and Druid Wheel of the Year.

Samhain or Hallowe’en falls on 31st October, and is a festival of the ancestors and the otherworld. Its colours are autumnal: the orange skin of pumpkins, the rich reds and golds of autumn leaves, and the brown colour of the bare fields. Heathens celebrate the festival of Winternights around this time; historically this was a big sacrificial feast at which gods, elves and/or ancestors were welcomed. Nowadays Heathens make offerings of mead to the deities and wights (powers).

Yule or Winter Solstice is on 21st or 22nd December, when we celebrate the return of the light as the days begin to lengthen again. The colours of Yule are red and green for the holly and its berries, dark green for the evergreens that are brought into the house, the green and white of the mistletoe, gold for the returning Sun. The Romans celebrated Saturnalia at this time, which is where the customs of the Lord of Misrule and giving presents come from, as the masters had to serve their slaves and give them gifts.

Imbolc, celebrated on 2nd February, is when the ewes begin to lactate, and it is associated with the Celtic Goddess Brighid, lady of smithcraft, healing and poetry. The colours of Imbolc are white and red; white for the ewes’ milk and the swan, which is the bird of Brighid, and red for the new growth on the trees, and for the fire of Brighid.

Red Branches Covered with Ice
Photo by Juggling Mom [BY-NC-ND 2.0]

Spring Equinox usually falls on 21st or 22nd March, and is often represented as being darkness and light in dynamic balance, because the days and nights are equal – but the light is in the ascendancy. The goddess of this festival is only known from a reference by the Venerable Bede, but it has been suggested that she may have been a goddess of Spring and of the Moon, since hares are sacred to the Moon and are associated with this festival.

The Festival of Beltane falls on 30th April and 1st May, and celebrates life, love and fertility. Its main colour is green – the fresh green of the leaves on the trees. This is the time of year for Maypoles (traditionally decorated with multicoloured ribbons) and for leaping over the Bel-fire with your beloved.

Maypole Beltane
Photo by yksin [BY-NC-ND 2.0]

Summer Solstice usually falls on 21st or 22nd June, and its colours are yellow (for the Sun and for the St John’s Wort flower, which is the flower of Midsummer) and red (for the heat of the Sun).

Lughnasadh or Lammas is the Harvest Festival, and is celebrated on 31st July and 1st August. Its colours are the colours of the harvest: the gold of ripening wheat and the harsh light of the Sun, and sometimes red for the poppies that grow among the corn.


This post was originally published at the Colour Lovers blog on 14 November 2007. It was part of a series on colour symbolism in different religious traditions:

See also: The Colorful Diwali Festival of Light

Acknowledgements and Sources

The Moon and the Sea

For as long as I can remember, the Moon has seemed like a source of mystery and magic. I have always had a bit of a thing about the Moon, and everything associated with the lunar side of life: poetry, intuition, silver, water, dreams, and stars. I always assumed that cats were lunar until I discovered that dogs are lunar and cats are solar. But I still prefer cats. The Moon represents the twilight half of consciousness (memories, dreams, intuition, rhythm). And of course, witches have always been associated with the Moon, and with a whole cohort of animals and birds who are also associated with the Moon, especially hares, bats, and owls.

The Moon and the Sea

Full Moon, Sky, Sea, Waves. Pexel.com. CC0, Public Domain

The Moon in poetry

The silvery light of the Moon transforms the landscape into a mysterious deep twilight blue. The moonpath (the reflection of the Moon on the sea) may lead to mysterious other realms. It certainly did for Lucius Apuleius when the great goddess Isis appeared to him as the full Moon over the sea, and transformed him back into a human being, releasing him from the enchantment that had turned him into an ass.

“Behold Lucius I am come, thy weeping and prayers has moved me to succor thee. I am she that is the natural mother of all things, mistress and governess of all the elements, the initial progeny of worlds, chief of powers divine, Queen of heaven, the principal of the Gods celestial, the light of the goddesses: at my will the planets of the air, the wholesome winds of the Seas, and the silences of hell be disposed; my name, my divinity is adored throughout all the world in divers manners, in variable customs and in many names, for the Phrygians call me Pessinuntica, the mother of the Gods: the Athenians call me Cecropian Artemis: the Cyprians, Paphian Aphrodite: the Candians, Dictyanna: the Sicilians , Stygian Proserpine: and the Eleusians call me Mother of the Corn. Some call me Juno, others Bellona of the Battles, and still others Hecate. Principally the Ethiopians which dwell in the Orient, and the Egyptians which are excellent in all kind of ancient doctrine, and by their proper ceremonies accustomed to worship me, do call me Queen Isis.”

This theme was picked up by Dion Fortune in her wonderful book, The Sea Priestess:

I am that soundless, boundless, bitter sea.
All tides are mine, and answer unto me.
Tides of the airs, tides of the inner earth;
The secret, silent tides of death and birth.
Tides of men’s souls, and dreams, and destiny –
Isis Veiled, and Rhea, Binah, Ge.

The hour of the high full moon draws near;
I hear the invoking words, hear and appear —
Isis Unveiled, and Rhea, Binah, Ge.
I come unto the priest that calleth me.

There is a wonderful poem by Sylvia Plath, The Moon and the Yew Tree, which describes the contrast between the Moon, who is “bald and wild” and “terribly upset”, and Mary, who is “sweet”:

The yew tree points up, it has a Gothic shape.
The eyes lift after it and find the moon.
The moon is my mother. She is not sweet like Mary.
Her blue garments unloose small bats and owls.

Actually I rather suspect that Sylvia Plath’s poetry is a contributory factor in my being being a Pagan and a Wiccan. She also wrote a wonderful poem about the Horned God, called Faun, which also evokes the Moon:

Haunched like a faun, he hooed
From grove of moon-glint and fen-frost
Until all owls in the twigged forest
Flapped black to look and brood
On the call this man made.

sky, clouds, moon, horizon

Sky, Clouds, Moon, Horizon. Pexel.com. CC0, Public Domain.

Serious Moonlight

In times past, the moonlight was needed because of a lack of streetlights, and the Lunar Society (Erasmus Darwin, Watt, Bolton, Wedgwood, Priestley, etc) met on full moon nights in order to be able to travel at night. The Carmina Gadelica praises the Moon as ‘the glorious lamp of the poor’, and there are four prayers to the Moon in the collection.

There are many Moon deities, both male and female. In Wicca, we tend to regard the Moon as female and the Sun as male; in Heathenry, the Sun is female and the Moon is male. Many other cultures have a male Moon deity too – Chandra in India, Shin in Mesopotamia, Tsukuyomi in Japan.There are also many Moon goddesses: the Greek goddesses Phoebe, Artemis, Selene, and Hecate; and the Chinese goddess Chang’e. Some of these deities are associated with witches.

In ancient times, people would kiss their hand to the New Moon. (It’s mentioned in the Hebrew Bible, Job 31: 26-28.) The Moon was believed to govern growth and fertility, so that planting should always be done at the New Moon, so that the plant would grow with the waxing Moon. Many plants are associated with the Moon, especially white flowers that give off a scent at night, and ones that are traditionally used in witchcraft.

For me, the Moon is the source and origin of witchcraft: the lunar energy, the mysterious qualities of the Moon, and the association with the night, wildness, freedom, spirituality, and sexuality:

O, my love
Come silently in the middle of the night
As gliding moonlight…
Nazrul Islam

Poets and mystics of all religions have praised the beauty of the Moon – especially the Sufis, who also have a mystical relationship with the night.

The phases of the Moon are also important. The Moon rules the tides of the sea; but she is also believed to rule the tides of the mind. Magic for increase should always be done on the waxing Moon; magic for decrease, on the waning Moon.

The Moon rules the twilight side of life, the wild, the uncanny, the preternatural. Civilisation tries to ignore the Moon, because she is the liberator of the oppressed and shines her light into the nooks and crannies, revealing the deeds that are done by night. But the Moon always returns with her messages from the subconscious, from the endless sea of dreams.