An update on my 2015 post. New items are mostly in the inclusive, nonbinary and queer categories. Please add your recommendations in the comments.
I remember the thrill I got when I first saw Laura Tempest Zakroff’s blogpost where she released the Power Sigil into the wild. I get a similar buzz when she posts a sigil from a workshop on her Instagram page. So I was very excited when I saw that she had written a book about sigil crafting.
I’m finding the concept of the Overton Window increasingly useful right now, as various sociopolitical ideas gain or lose ground, and debates change and morph.
The Overton window, also known as the window of discourse, describes the range of ideas tolerated in public discourse. The term is derived from its originator, Joseph P. Overton, a former vice president of the Mackinac Center for Public Policy, who, in his description of his window, claimed that an idea’s political viability depends mainly on whether it falls within the window, rather than on politicians’ individual preferences.
When is a difference of opinion merely a difference of opinion, and when is it a matter for exclusion of the person who holds that opinion from polite society?
The other day, I had an interesting discussion with Brenton Dickieson about the shape of the spiritual life.
I said, if I was to attribute a shape to my spirituality, it would be a tree, connecting spirit and matter, the heavens and the Earth, the human and the divine. If you think about the shape of a tree, its roots mirror its branches.
There are currently three amazing exhibitions on at the Art Gallery of Guelph (until 16 December): epistemologies of the moon, 1745, and Critical Mass. It is hard to say which of these exhibitions I was the most excited about, as they all address things I care about.
I just re-read Letters from Father Christmas by JRR Tolkien. I read it and enjoyed it as a child. Imagine how thrilling it must have been for Tolkien’s children to receive these letters once a year – and to have to wait a year for the next instalment.
How the inclusive Wicca logo happened.
I was making a poster for a LGBT+ ritual in 2014, and trying to think of a symbol that expresses LGBT+ Wicca. So I took the standard Wiccan triple Moon symbol and added a heart.
🌛🌝🌜 + ❤️
I didn’t really think about it — the symbol sort of came down my arm, bypassing my brain, and manifested on the paper.
The heart could be seen as an hommage to the Sufi winged heart or Tughra Inayati symbol (and there is a connection between Sufism and Wicca, via the friendship between Gardner and Idries Shah).
The heart mainly represents the idea that love (in all its glorious diversity) is the central mystery of Wicca. Also that Love is love, or “All acts of love and pleasure are Her rituals” — hence also the title of my 2014 book on inclusive Wicca.