On Sunday, I checked my carbon footprint (it was not good) and resolved to go carbon neutral by planting trees.
ecology
Winter in Ontario
I love winter, especially when it involves snow, frost, and sunshine.
Winter in Ontario is (mostly) crisp and dry, unlike the British winter where the damp gets into your bones even when it’s only minus 2 Celsius.
Stephen Fry, burrowing insects, and lions and tigers and bears
The Horse Botfly, which lays its eggs on horses’ skin and infests the horse’s intestines. (Wikipedia)
Recently, Stephen Fry was asked how he would respond if he met God. His response was entirely understandable within the context of Christian theology. If there is an all-powerful supernatural creator god, why does he/she/it allow hideous suffering like parasitic insects burrowing into the eyes of children? As Fry so aptly pointed out, who would worship such a god?
But what he has done is take Christian theology and turned it on its head, as so many atheists do. There is more to life than Christian theology. There is no supernatural creator god (as atheists have very ably demonstrated). That does not mean that the concepts of deity and deities are completely redundant, as a supernatural creator deity is only one possible mythological or theological construct.
Indeed, Fry went on to say that if he turned up at the gates of the afterlife and it turned out to be run by the Greek gods, he would have more respect for them, because they do not claim to be anything other than human in their appetites and capricious in their ways. I think even this is still too close to the idea of a creator (or creators), because the Greeks did not actually believe that the universe was created – and most ancient pagan creation myths actually acknowledged the existence of death and conflict as the very basis of the creative act (the killing of the giant Ymir in Norse myth in order to create the world, or the slaying of the dragon Tiamat by Marduk to make the earth, for example). But he is going along the right lines towards understanding the pagan worldview (both ancient and modern).
Yes, insects that burrow into children’s eyes are horrible, but they are neither evil nor good, they just are. They have their own agenda, like all other beings, and that agenda – finding something soft and squishy to lay their eggs in – happens to be massively in conflict with our agenda.
Right-wing Christians assume that humans are the pinnacle of “creation” and that the world exists for our benefit. Atheists often turn this on its head and claim that the universe is hostile, but fail to notice that we are just one species among other species. The universe is neither 100% hostile, nor is it 100% benign. There is food that we can eat, and oxygen to breathe, and most of the time, the temperature is about right (until we screw it up by causing unprecedented climate change). But the fact that we exist at all, as oxygen-breathing animals, is at the expense of the organisms that existed on Earth before the atmosphere had oxygen in it – and there was a mass extinction of those non-oxygen-breathing organisms when oxygen entered the atmosphere. One animal’s beneficial environmental feature is another animal’s deeply hostile environmental feature.
The world was not created for our benefit – indeed, it was not created. The sooner humans realise this and stop behaving as if we own it, the better. There are other sentient beings who deserve our consideration – elephants, dolphins, whales – all intelligent and sensitive. And the other (supposedly lesser) animals also deserve our consideration. That doesn’t mean that I would not kill the insect that was trying to lay eggs in a human eye – but I recognise that the insect is not evil, it is just doing what comes naturally to it.
Neither atheists nor Christians seem to consider that we could only have evolved in the environment we are in (and that the the same applies to nasty insects). The environment in which we live is generally quite hospitable, but it also happens to be hospitable to some things that we consider unpleasant. Monty Python nailed it with their wonderful send-up of All Things Bright and Beautiful, aptly entitled All Things Dull and Ugly. (Listen to it on YouTube here.)
Each little snake that poisons,
Each little wasp that stings,
He made their brutish venom.
He made their horrid wings.All things sick and cancerous,
All evil great and small,
All things foul and dangerous,
The Lord God made them all.
Yep, the universe contains both “all things bright and beautiful”, and “all things sick and cancerous”. This means that any theology worth its salt must deal with this fact somehow. (To be fair to Christian theology, it kind of gets around this by explaining that the Devil put the nasty stuff there, because he’s spiteful – but obviously there is still a flaw because in order for this to happen, the Devil must be just as powerful as God, and then you get Manichaean dualism, which is not allowed in mainstream Christian theology.)
The universe just is, as it is. Not created, not hostile, not especially benevolent, but many diverse beings and species, each with their own imperative to survive and thrive, and some of those in harmony with our imperative to survive and thrive, some of them in conflict. We have to learn how to manage those conflicts, not blame them on an all-powerful supernatural creator (or creators). As Terry Pratchett wrote, “There’s no justice. There’s just us”, implying that we have to create our own justice.
Pagan theology deals with the fact of death and predators and icky parasites by taking the view that there are many beings (including deities and nature spirits), all with their own agendas, their own imperatives for survival, some of which may be in conflict with ours. Lions and tigers and bears (oh my!) and sharks, and horrible insects, all have to eat, but we would rather they did not eat us. So, for the most part, we stay out of their way. Hurricanes emerge from the weather system and wreak havoc in their path, but this is an unfortunate fact of existence. Nature spirits also have their own agenda, and sometimes that aligns with ours, and sometimes it does not. That is why Icelanders take care not to demolish the dwellings of the huldu-folk (elves and trolls), and why British folklore advises against cutting down hawthorn trees, because the Fair Folk live there.
Pagan deities are not seen as all-powerful, but beings on their own journey, who may sometimes walk with us and help us. They are not there for our benefit, and we are not here for their benefit. Just as you make friends and forge alliances with other humans for companionship, or to further some collective goal like campaigning for social justice, the same applies to deities – we make alliances to further a common cause, or we make friends with them.
The universe contains both great beauty and great brutality (as Stephen Fry also acknowledged). You can’t ignore one and focus entirely on the other; they are both part of a complex picture. I recommend anyone who thinks that Nature is all fluffy bunnies and cuddly animals to spend a few hours on the Wikpedia category on parasitic insects. But for anyone who thinks that Nature is entirely hostile, go outside and bask in some warm sunshine, look at some nice trees recycling our exhaled carbon dioxide, and browse the list of edible foods that you can gather in the wild. And gaze up at the stars to be reminded of just how big the Universe is, and be thankful that you can behold such beauty, and reflect that you yourself are formed of atoms forged in the heart of a star.
Art, Agriculture, and Ancestors
Patheos Pagan is hosting a conversation about honoring the ancestors this month. I didn’t write anything for it, having no established practice to speak of. More truthfully, the whole concept challenges me.
The relatives I’ve lost (thankfully few) weren’t a very spiritual bunch. They lived deeply in this world. I honor them best by enjoying good food, good friends, and remembering to appreciate the small beauties of each passing day.
As for ancestors of the land, having just passed “Indigenous People’s Day” (which is still known as Columbus Day in much of the nation), I have at best uneasy relationship with this idea. Who am I to assume that the ancestors of this place called Wisconsin, called the USA, welcome my attempts to reconcile with them? They might well be furious—at the genocide and displacements of their people, at the ignorance with which we carved up and plowed into the land, at the disrespect we show to their descendants, even now, in how we treat both the peoples and the land. I would like to believe some sort of connection is possible, but I don’t think I’ve yet put in the work and time that would make this an honest effort. At best, I can bow my head, and promise to try to listen, to teach my children how to listen.
***
But there is a ritual pilgrimage my family makes in October each year.
Too Much Pig, artist: Brian Sobaski
Traveling about an hour up the road, the town of Reedsburg, Wisconsin serves as host to a ten-day Fermentation Festival, celebrating all things fermented, from compost to chocolate to kimchi to beer. And as part of this celebration, each year arising out of the farm fields in a 50-mile loop, the Farm Art DTour.
People come from as far away as the Twin Cities and Chicago to drive the loop, stopping at the installations—some of them by professional artists, others by the farm families that own the land, local 4H groups, and some pop ups from local artisans and neighbors. We move as pilgrims through the rural landscape, stopping at each station to read, consider, pause, interact, take pictures, try the food.
Red bandanas, traditional, strung and draped (prayer flags?) in native burr oak.
It’s always a profound experience for me to see so many people spend a day visiting art of all kinds, driving through the autumn fields. The DTour ties together agriculture, culture, art, food, history and land. This year, the very first stop was a new sign with this text:
Wanąğomįk cinąk
The native inhabitants of this area were called Winnebago by the neighboring Sauk and Fox tribes. In 1993 the tribe reclaimed their original name of Ho-chunk, or “People of the Sacred Language.” Reedsburg has long held a respected place in the history of the Ho-chunk. In the winter of 1893 the citizens of Reedsburg stood up to the US Government military in order to protect the Ho-chunk from the decimation of the forced removal from their homelands. Due to the large number of church-sponsored cemeteries or final resting places located in Reedsburg, the Ho-chunk refer to the city as Wanagomjk cinak, or land of cemeteries.
The words washed over me like cool water, reminding me that history is always more complex than the stories we learn (no matter which stories we learn). That in every generation, peoples can work together in spite—or even because of—their differences. That respect and appreciation can grow anywhere. Maybe, just maybe, keeping in mind this piece of local history, I can begin to find my way to connecting with the ancestors of this place in a way that is respectful to them and honest to myself.
A Call to Beauty, artist: Mary Dickey
We drove on. Soon we came to a spiral labyrinth mowed into the corn, with signs along the way reminding us to “still your lips” “open your ears” “quiet your mind” “listen to the land…”
Listening Labyrinth
when we reached the center of this contemplative journey, there were stairs leading up to a platform that allowed us to see over the cornstalks, the view expanded in front of us to embrace the landscape. The metaphor was unmistakable.
One of my favorite aspects of the DTour is that it forces one to see the land, agriculture, and culture, anew. If this is art:
Invasive Species, artist: Isabelle Garbani
Sylvan Chapel, artist: Peter Krsko
What about this?
Tractors, photo R. Busse
And what about this?
Cemetery, photo R. Busse
How we find food, prepare it, share it, and how we honor our dead…these things may vary from generation to generation, from one culture to another, one region to another, but… we all do procure and share food together, and we all do honor our dead.
By the time we finished the loop and headed for home, we had enjoyed pork and sauerkraut sandwiches, Asian-inspired potstickers (including a macaroni-and-cheese version–this is Wisconsin, after all), fermented salsa, local chocolates. I felt my connection to this place reaffirmed and reframed—by returning to the land with a reverential attitude, I already begin to connect to the ancestors of this place, and in doing so, I reconnect more deeply to my own humanity.
Wealth, photo R. Busse
With thanks to my husband, Reed Busse, for the photographs. My daughter insists that I use some of hers as well. Alas, she missed my deadline…so expect to see more DTour shots in upcoming essays.
A tangled web
This article is part of the Public Square 2014 Summer Series: Conversations on Religious Trends. Read other perspectives from the Pagan community here.
Whenever I confront my personal ethical choices around sustainability and ecology, I realise that everything depends on everything else. One choice may be more sustainable than another, but it may have other deleterious effects. You fix one part of the ecosystem, another gets broken. You try to fix poverty by donating clothes to charity shops (thrift stores) and then discover you have undermined small-scale indigenous clothing manufacture. You buy fair trade goods and then discover that they have been shipped over vast distances.
This interconnectedness of everything shows that we need a massive global paradigm shift, not merely a cosmetic fix to our already broken system. Capitalism – the practice of creaming off profits to give to shareholders and investors who do not contribute directly to the enterprise – created the opportunity to exploit people and resources, and got us into the mess we are in now. I recently watched a documentary on the origins of the industrial revolution, and it was very clear that it could not have got started without capitalism to fund it, and consumerism to drive demand for the commodities that were produced. Manufacturing snowballed in response to the stimuli of investment and consumer demand.
As others have already outlined, we are in a huge mess right now, and we need action. Climate change is already happening, sea levels are rising, species are dying off. It might be worse if there had not been an environmental movement, and if Pagans had not existed. This is also the premise of the excellent book Hope in the dark: The Untold History of People Power, by Rebecca Solnit.
Two things give me hope: deep ecology and trophic cascade.
Deep Ecology is the radical idea that all life has the right to exist, that no one species is more important than another.
According to Judi Bari, “Nature does not exist to serve humans. Rather, humans are a part of nature, one species among many. All species have the right to exist for their own sake, regardless of their usefulness to humans”.
Biodiversity is essential for the continued existence of the living Earth. As part of this biodiversity, humans must learn to live within nature, according to nature’s laws, and learn to accept our role as one among many.
— Centre for Deep Ecology
Environmental justice and social justice go hand-in-hand. You can’t solve world poverty unless we are all in right relationship with the Earth:
‘Deep ecological solutions are the only viable solutions to ensuring that every person on this planet has enough food, has enough water, has adequate shelter, has dignity and has a cultural meaning in life. If we don’t follow the path of living in ways that we leave enough space for other species, that paradigm also ensures that most human beings will be denied their right to existence. A system that denies the intrinsic value of other species denies eighty percent of humanity, their right to a dignified survival and a dignified life. It only pretends that is solving the problems of poverty, it is actually at the root of poverty. And the only real solution to poverty is to embrace the right to life of all on this planet, all humans and all species.’
So we all need to change our perspective to one of deep ecology, rather than seeing environmentalism as some kind of ‘add-on’ to our existing lifestyles.
How will this change of perspective come about? Like any paradigm shift, it started with individuals who were ahead of their time, and has gradually been building momentum. Sadly, so has climate change, but this means more people will wake up and smell the coffee. We can take action to speed up the process of change. We can re-enchant the world that capitalism and the industrial revolution disenchanted.
There are also interventions that can be made to restore ecosystems.
One of the most interesting discoveries of recent years has been trophic cascade. This is the discovery that if you restore a major predator to an ecosystem, other species recover.
For example, restoring wolves to Yellowstone Park resulted in a decrease in elk, but an increase in the tree species that elk would otherwise have eaten, and consequently an increase in beaver and bison, as well as carrion birds which benefit from the remains of the wolves’ kills.
Restoring beavers to river systems has resulted in the creation of more pools, and hence more habitats for fish and plants.
The problems that climate change has brought, is bringing, and will bring will be severe and disastrous. Maybe we can ride out the storm; maybe it is too late; but if we despair and do not act, it will definitely be too late.
Embodiment and Woundedness: Owning Up to Being an Animal
It’s my birthday month, and I’m sorry to say I got a crown.
Not a sparkly one from some kid-friendly chain restaurant. Not a crown of branches or horns from a Neo-Pagan ceremony. No, I won one of those plastic, temporary tops for a cracked tooth that will soon enough be replaced by porcelain.
Happy Birthday. Feeling older, much?
I should have taken a page out of your book, Wayland, lord, and asked
if the dentist would carve me a tooth out of bone.
***
So I’m feeling a little vulnerable, tonight. Aware of my body, more than I usually am, and its tender places, its wounds and scars. This is probably doubly true because I just started a shapeshifting class at Cherry Hill Seminary. Here are the very first sentences of the very first reading assignment:
Owning up to being an animal, a creature of earth. Tuning our animal senses to the sensible terrain: blending our skin with the rain-rippled surface of rivers, mingling our ears with the thunder and the thrumming of frogs, and our eyes with the molten sky. Feeling the polyrhythmic pulse of this place—this huge windswept body of water and stone. This vexed being in whose flesh we’re entangled.
From Becoming Animal, David Abram
What does that mean? What is “shapeshifting” anyway? my friends ask me. For me, the concept of shapeshifting offers (I hope) a way to enter the experience(s) of world more deeply, more fluidly. I’ve been looking forward to the start of class for weeks. But after the first Google+ chat session, I feel more trepidation than anything. The teacher emphasized what a personal journey this is going to be for us.
It’s clear that in order to learn how to move even an inch or a minute away from the usual mundane experience, I’ll have to become a little (or a lot) vulnerable. The adult layers of defense and protection I worked so hard to create? Peeled away.
Shields down, friends. It’s about to get real.
***
For years, no matter what term/s I called myself—poet, theologian, at-home-parent-trying-to-survive, polytheist, or (as I used to say in a whisper) just a vague-ish pagan-ish sort—my practice has been pretty much the same: a shifting triangulation between historical source/text, poetry, and myth. With this class, it looks like NATURE may be about to assert itself as the fourth leg of that practice. That includes (especially) my own human animal nature, bag of skin and muscle and bone, hair and bacteria. I welcome that. And I fear it too, a little. Abram knows this:
Corporeal life is indeed difficult. To identify with the sheer physicality of one’s flesh may well seem lunatic. The body is an imperfect and breakable entity vulnerable to a thousand and one insults…Small wonder then that we prefer to abstract ourselves whenever we can, imagining ourselves into theoretical spaces less fraught with insecurity, conjuring dimensions more amenable to calculation and control…
It’s completely appropriate and serendipitous that we’re also just back from our annual camping trip up on Madeline Island, in Lake Superior. I have some coastal friends who scoff at the idea of the Great Lakes—it’s not the ocean, they say with a shrug of a shoulder. Of course not. The ocean is endless, absolute.
The Great Lakes are something else again—interior seas. And so they fit differently into the psyche. There have been a couple of blog posts I’ve seen, here and here, in which the authors map out their spiritual geographies. I find the idea fascinating—and I tried it one night with my crayons and sketchpad. It’s not finished yet, but already off to one side, there’s a lake. A large one. When I stepped into the waters of Lake Superior, I recognized the sensation exactly. I’ve swum here before.
Remember when we pitched our tents,
young as we were, above Superior’s gray shore,
and discovered there a steep path to the back
we hadn’t seen before?
On my own map, it’s labeled the Lake of Sorrows, and there have been times when I have had to swim it, ready or no. Maybe someday I’ll write about that. About the temptation to stay there, in the water. Under the water. It was one chapter of a longer journey. Maybe someday I’ll write the rest.
It was a journey of healing, after a wounding of my own that was a little more serious than a cracked molar. And it’s important to tell our stories, to ourselves and others. But today I wonder—when I move in this essay from Lake Superior itself to my Lake of Sorrows, am I merely imagining myself into one of Abram’s “theoretical spaces less fraught with insecurity”? I’m willing to consider the possibility, although admittedly nothing about swimming that interior Lake feels “more amenable to calculation and control.” Not at all.
Here there be dragons.
You aren’t kidding.
***
Shapeshifting is partly about knowing yourself intimately, and all your wounds and weaknesses. In the Northern pantheon that I am learning about, woundedness is a common theme. These gods are for the most part not young and beautiful—they have their scars. I’m far from an expert in the lore but off the top of my head: Tyr gives up a hand to bind Fenrir, the wolf that represents Chaos. Sif’s beautiful hair is hacked off (and we all know what that represents, right?). Both Frigga and Sigyn lose their children. Sigyn is burned, scarred by the poison she protects her husband Loki from. Odin the Allfather sacrifices an eye for wisdom, hangs himself for nine days in order to win the runes. And Wayland the Smith is hobbled, and held captive for years.
He looks at the pictures of Lake Superior on my computer screen.
We call it the Quench.
Lake Superior?
Shaking his head. Water. We use water to quench
the hot blade. That is the moment of testing, to see
if what we made will be true, or if it will torque, twist, corrupt.
***
Any blessing carries its shadow, sometimes for years,
folded like the wings of a bat at noon.
How grateful I am, friends, for that shared memory,
now that I have reached another interior shore,
this time alone, and again to strip down…
We all have our scars and wounds, not all of them visible. Not even remembered, some of them, maybe, until that sudden plunge into a new element. Wish me luck.
Don’t trust to luck.
**
Notes and References
The whole poem, “Youth Was Armor Enough” can be found here.
Abram, D. (2010). Becoming Animal. New York, NY: Random House (Vintage)
A Theology of Trees and Fractals
June, and my yard is full of leaves again. I’ve been thinking about trees, about forests, dense and wild and other. It’s funny but I can’t think about forests without thinking about the branching paths we take through them, or maybe, the paths that lead us deep into the heartwood. Any forest is a labyrinth, a fractal pattern, complex at every level. Choose a path.
***
I’m reading a book from 1997 on ergodic literature, Cybertext by Espen J. Aarseth. “Ergodic” looks like the gods might be hiding in the text, but Aarseth states the word“derives from the Greek words ergon and hodos, meaning “work” and “path.” Unlike a traditional novel or movie, in ergodic literature, narrative is interrupted and the reader must make active choices when the paths fork. The easiest example might be Choose Your Own Adventure books, which I devoured as a kid. Interactive games are obvious examples. The Tarot deck is another. Ergodic literature is wildly fun, juicy, and completely intense all at once:
“you are constantly reminded of inaccessible strategies and paths not taken, voices not heard. Each decision will make some parts of the text more, and others less, accessible, and you may never know the exact results of your choices; that is, exactly what you missed.”
Every day we wake up is Choose Your Own Adventure, wildwood, labyrinth, if we have the eyes to see. I live on the border of grassland and woodland, in Southern Wisconsin. Or: I live in deep forest, the same deep forest we all wander through, that most of us have forgotten. Choose your reality; both are true.
***
Trees catch the wind and give it voice. Words catch at thought. These words like twiggy fingers snag on ghosts and gods. I read over my journals and weave dream and shadow together, stitch that cloth to noon o’clock until everything is weightless, suspended in blue.
The house swings up through ash trees,
to hang in light-scalloped air and interstice,
a lacework net of leaf and gap exactly
like a well-told joke that dangles us
over the pit of the true strange…
***
Sometimes I think of myself as a guide of sorts—
A guide? You? Wayland laughs.
No, I think not—a translator, maybe.
***
Choose a path. We have three large and lyrical ash trees in our yard. Someday not too far off they will all three die from the emerald ash borers now found in Dane county. In one of them, we’ve started hanging bird houses, round little doors peeking out among the green, darts of color and touches of whimsy. I know a woman who tucks her poems into an old birdhouse in her garage. Sandwiched between generations and caring for multiple relatives, she has no time to revise or send work out into the world, and she has no space in her house to call her own. I look at my birdhouse tree, the multiple doorways. Maybe I will start to poke my poems into those apertures, just as I poke them into these essays. Maybe I will shred them and let the birds weave them into their nests, along with my hair and the straw I never spin into gold. Offerings.
***
…Just like a joke,
the crack of alarm gives way to laughter’s gasp.
No one told us this was the day
our possessions would go weightless,
our footsteps sound across suddenly taller floors.
***
Paper comes from trees. All the leafy, dream-soaked notebooks I have written my way through—are my words worth the death of the trees it took to house them? They’d better be.
Literature is a combinatorial game that pursues the possibilities implicit in its own material, independent of the personality of the poet, but it is a game that at a certain point is invested with an unexpected meaning, a meaning that is not patent on the linguistic plane on which we were working but has slipped in from another level…
–Italo Calvino
(The gods are not even hiding.)
***
Is mine a theology of the Wildwood? Or is it a theology of poems? Of fractals?
Same thing. He’s reading over my shoulder.
Sometimes the Adventure chooses you.
***
“Work” and “path” may be how we locate our gods. Love is work. Poems are work. Living well is work. Asking the big questions and staying ready for the answers is work. Work worth doing. Halfway through the writing of this, I look up from my screen and realize how much of the art in my house features trees. Abstract, realistic, partial or completely representational, trees have been with me a long time, I guess.
In my parents’ house, the walls are covered with birds.
What happens when the oil runs out?
I am currently reading the Emberverse series by S M Stirling, in which electronics, guns, the internal combustion engine, and gunpowder all stop working overnight. The laws of physics have been tampered with by some unknown power. The books explore the consequences of this strange event, known as the Change. Part of the story follows a small group of Georgian Wiccans who take to the hills; another part deals with a man who decides to set up a feudal Norman-style state. The people who do best are those with some skills in farming, making things, but also, the ones who are rich in stories that help make sense of the world, which help them to build just and cohesive societies.
I think that the Change is shorthand, or a metaphor, for what happens when the oil runs out. It won’t happen overnight, and if we are lucky, it will be managed sensibly. But all the current indications are that it will not be managed sensibly. Instead of reducing our dependency on fossil fuels, companies are inventing ever more destructive ways of wresting them from the ground, the worst of these being fracking. We are also not investing in sustainable power sources, or taxing carbon consumption, or anywhere near enough of the things we should be doing. The warning signs of climate change are being ignored.
Rhyd Wildermuth’s story, What we built from ruins (part 1 and part 2), in response to the question, what will Paganism look like in fifty years’ time? got me thinking, as well. I realised that my response completely ignored the question of what will happen when the oil runs out.
I also recently attended a ritual in my local area that was part of a global magical working to protect the waters of the world from fracking, which is about the most irresponsible and damaging thing anyone could possibly do to the environment. It was a very moving and beautiful ritual, and it brought together eco-activists, Pagans, shamans, and others.
So what can Pagans and other ecologically-minded people be doing to prepare for the eventual crash, or shift?
We can reduce our own dependence on fossil fuels; campaign for investment in sustainable energy sources; campaign for environmental and social justice. But in addition to these, we can do magic (the art of changing consciousness in accordance with Will) to heal and protect the Earth and other living beings, and we can learn skills such as building roundhouses and coracles and boats, raising livestock, weaving, growing our own food, and so on. We can get involved with the transition towns movement and other sustainability initiatives, support organic farming, and check our own ecological footprint. We can build strong communities – not only of Pagans, but including others of good will. And we can engage with stories that show how to build just, cohesive, and inclusive societies. We are already doing all this to a certain extent – we just need to do it more.
When knowledge was power
Lynne Kelly
Ritual often seems like an activity designed only for interaction with the preternatural or the supernatural. However, in non-literate (oral) cultures, it can have a mnemonic function – to remember and pass on traditional lore, about how to grow and manage crops, about animal and plant species, how to interact with the land, how to use tools.
Lynne Kelly is an Honorary Visiting Research Fellow at LaTrobe University. She is researching the ways in which knowledge is transmitted in non-literate cultures.
In a discussion on ritual on the British Archaeology mailing list, she wrote:
My research is into the way non-literate cultures learn, store and transmit information – vast amounts of it – when they don’t have writing. I then apply that to the archaeological record. A wide range of apparently enigmatic objects become very practical when the memory systems used are understood. The deliberate destruction or disposal of objects is common when there is no initiate suitable to take over the object. Unfortunately, it all takes too much to explain in an email. It is all to do with preserving the critical survival information accurately, among other things. Think of initiation as being initiated into higher and higher levels of a knowledge system, much of which is practical. I draw particularly (but far from exclusively) on our Australian Aboriginal hunter-gatherer cultures.
To give one example of the way indigenous rituals can appear superficial, but aren’t, I’ll use a Pueblo example because it is so beautifully recorded. Alfonso Ortiz in ‘The Tewa world: space, time, being, and becoming in a Pueblo society‘ (1969) talks a lot about the stories of the Corn Mothers and the variously coloured Corn Maidens. Lots of ‘rituals’, many of which are restricted to a select group of initiated males.
Ortiz also suggests, in later writing, that you read Richard I. Ford, an ethnobotanist. Ford describes the same rituals – ceremonies – rigidly repeated acts – in terms of the outcome. Effectively, these ritual performances ensure that multiple varieties of corn, each known by the different colour, have been maintained pure over centuries, if not a lot longer. These are the descendant of the Ancestral Puebloan (Anasazi) cultures. Careful selection and planting of multiple varieties means that no matter how bad the weather that season, some corn will produce food. Corn cross-pollinates very readily, so it is quite complex to ensure all varieties are maintained pure. Consequently, Ford titled the paper ‘The colour of survival’, (1980), Discovery, pp. 16-29. [Not the common magazine, Discovery, but an academic journal.] Ford suggests you read Ortiz to get the Puebloan way of describing the same events and outcomes.
I have covered the Puebloan knowledge system and associated ‘enigmatic’ objects in the thesis, and have plenty more examples like this from other cultures. For example, think of ‘Hunting magic’ as ceremonies which remind all of the group about strategies … and so it goes on. Knowledge is stored so differently by cultures without writing that the pragmatism is often disguised and it is easy to see only simplistic ‘religious’ reasons as the purpose for the ceremonies. All the oral cultures I explored integrate the secular and the sacred so the two become almost indistinguishable.
If you think about it, contemporary Pagan rituals are also designed to transmit knowledge – to enable people to understand sacred stories from within, by re-enacting them; to transmit knowledge of magic, symbolism, and mythology. This also got me thinking about how ritual could be used to transmit botanical knowledge, or astronomy, or other scientific information. I once did a ritual about quantum mechanics, so why not? Learning through ritual engages the right hemisphere of the brain as well as the left, so is probably a more effective way to transmit knowledge.
[Note: the above quote is used with Lynne’s permission. Her research will soon be published as a book.]
[Photo credit: Lynne Kelly, used with permission]
Eco-spirituality in practice
Paganism is often said to be a Nature religion, but often Pagans are not very immersed in Nature. This could be because we get distracted by shiny things like mythology, or because many of us live in cities and so are more familiar with brand names than tree species, or because connecting with Nature is just too hard.
One thing that is often suggested as a way to connect with Nature is celebrating the seasonal festivals. I have certainly found it helpful to have the seasonal festivals in my life as markers of time, and they have made me more aware of the passing seasons, but I don’t know if they have made me more connected with Nature. I also worry that we sometimes impose our own patterns on Nature, rather than listening and looking to see what’s there.
Another way to connect with Nature is to get out more, and walk in the woods, by the sea, in the mountains. Meditating in Nature is excellent, and is a very old pagan practice called “sitting out”. Adrian Harris writes, over at Bodymind Place:
The principle of the sit spot could hardly be simpler: Find a place outdoors and sit there everyday for at least 15 minutes. Though it’s generally traced to Native American teachers, this ancient practise is cross-cultural. What modern Pagans call ‘sitting out’ has a more explicitly spiritual purpose, but is essentially the same thing.
Cultivating a sense of place is important too. The excellent book The Art of Conversation with the Genius Loci by Barry Patterson is one that I recommend highly, because it offers specific techniques for engaging with place, including learning about its history, geology, flora and fauna, mythology, archaeology, and so on.
This approach is also recommended in a bioregional quiz, “Where You At?”, originally developed by Leonard Charles, Jim Dodge, Lynn Milliman, and Victoria Stockley, and updated by Connected by Nature. Learn about your local flora and fauna, what flowers, fruits and vegetables are in season at what time.
We also need to be in right relationship with Nature, so reducing your carbon footprint and your ecological footprint and auditing your lifestyle are important.
Eating food that is local and in season helps the environment, but it also makes you more aware of your surroundings. It’s very hard to eat seasonally in some places, but we should at least be aware of the air miles on what we eat, and try to buy more local produce.
