One of the highlights of my week is the Folklore Thursday hashtag on Twitter. I’ve not had time to look at it for a few weeks though, so it seems I missed the occasion when some völkisch fascists tried to hijack it, much to the horror of the regular participants.
One of them accordingly started a second hashtag, Folklore Against Fascism, and several participants tweeted about their opposition to fascism and commitment to inclusive folklore.
Lots of witchy books this month: I re-read City of Refuge by Starhawk; read Making Witches by Barbara Rieti, and I’m halfway through The Witch’s Athame by Jason Mankey.
Three adventures of very different sorts this month: Yiddish for Pirates, Walking to Mercury, and The Fifth Sacred Thing.
There are currently three amazing exhibitions on at the Art Gallery of Guelph (until 16 December): epistemologies of the moon, 1745, and Critical Mass. It is hard to say which of these exhibitions I was the most excited about, as they all address things I care about.
A video in which I read an excerpt from my book, The Night Journey: Witchcraft as Transformation. I was particularly pleased with this chapter, as I think it’s very poetic and has some powerful imagery in it.
The night journey: witchcraft as transformation
This book is aimed at witches who want to deepen their engagement with their Craft. It explores modes and types of ritual; how rituals work; the uses of sound and silence in ritual; the witch’s journey through life; the stages and pitfalls of the inner work. It shows how Queer Witchcraft is an inherent aspect of the archetype of the witch; how witchcraft relates to the land; witchcraft as resistance to oppression; working with ancestors; the witch’s pact with spiritual powers; the relationship between madness, shamanism, and witchcraft; and the concept of the night journey, another very old image from the history of witchcraft; how to use insights gained from the practice of witchcraft in everyday life; group dynamics; being a coven leader; teaching and learning in a coven; egregore, lineage, upline, and downline; power and authority; the process of challenging oppression; how to evaluate your Craft; the meaning and purpose of ‘spirituality’, religion, and magic; the archetype of the witch and what it means.
When I was writing Dark Mirror
, I didn’t realise until I stitched all the files together that I had written 150,000 words. So I thought the best thing to do would be to split it into two books, and this is the second of the two. Its focus is more on traditional witchcraft, the land, and resistance to oppression. I chose the title partly because a friend commented that she really liked the phrase, partly because the concept was so central to ideas of witchcraft in past centuries, and partly because of its resonance with other esoteric traditions.
What do Anansi, Raven, Coyote, Pérák, Aradia, the Golem of Prague, Robin Hood, Wild Edric, and Ned Ludd have in common? They are all folk heroes of resistance to tyranny, oppression, slavery, and fascism.
Snowflakes – a bedtime rhyme
(for Yvonne, especially)
by Linda Haggerstone, 2017
Many people are expressing shock and dismay that a fascist government has taken over the USA, and at the rising tide of xenophobia in Broken Brexit Britain. However, if you are at all familiar with the rise of the Third Reich and the operation of oppressive systems such as the British Empire, the signs have been writ large for some time. If you need a crash course in recognising the oppressive atmosphere for what it is, then here’s a crash course. Why have I chosen mostly novels? Because novels try to describe how it feel to be in the situation, and to provoke empathy. And empathy for the persecuted is what we need more of right now.
There’s been a lot of talk about snowflakes recently. When the term was first coined, a “special snowflake” meant someone who claimed that everything was triggering them, even though they did not have post-traumatic stress disorder, were not a rape survivor, nor a survivor of some other significant trauma.