Yvonne Aburrow and Bob Houghton
- Zoom talk hosted by the Centre for Pagan Studies
- Sunday 12 July 2020
- 19:30 BST (UK) / 14:30 EDT
One of the highlights of my week is the Folklore Thursday hashtag on Twitter. I’ve not had time to look at it for a few weeks though, so it seems I missed the occasion when some völkisch fascists tried to hijack it, much to the horror of the regular participants.
One of them accordingly started a second hashtag, Folklore Against Fascism, and several participants tweeted about their opposition to fascism and commitment to inclusive folklore.
JRR Tolkien loved ancient Pagan mythology, especially Norse mythology. He also loved trees, flowers, rivers and streams, mountains, woods, and landscape generally. His writing is infused with a love of Nature, as well as an in-depth knowledge of ancient cultures and mythologies. He was, however, a Catholic, both by upbringing and conviction. He wrote his legendarium as a supporting world for his invented languages; though the earliest version was intended “to restore to the English an epic tradition and present them with a mythology of their own”.
Before he became a Christian, C S Lewis was deeply inspired by ancient Pagan mythology, and he continued to value it as mythopoeia after his conversion, and seems to have sought to reconcile the Christian worldview with the ancient Pagan one (for example in That Hideous Strength). Lewis was also fascinated by the symbolism of astrology: a practice and worldview which started in Pagan antiquity and continued well into the Christian era. Lewis’ book, The Discarded Image: An Introduction to Medieval and Renaissance Literature, deals in part with astrological symbolism as part of the medieval worldview.
There is a deep irony in this. Pagan-y type folk often use stones and crystals to connect with the earth, to honour the spiritus mundi, the world-soul. Yet, frequently these stones themselves have been industrially yanked out of the earth without any consideration of the spirit of the place where they were mined, and often without any consideration of the humanity of the exploited workers toiling in hellish conditions.
Read on at wrycrow.com
Please read this very important post from Ryan Cronin, on sourcing your crystals ethically.
Some have argued that any form of theism is incompatible with science. Which is odd when so many scientists are theistic in some form or other.
After several years of excellent research by Adrian Bott, we now know the following things. Spring Equinox was not actually celebrated by ancient pagans in the British Isles; nor was it a fertility festival. There was probably a festival at the fourth full moon of the year, at which cattle were sacrificed. Eostre was most probably a goddess local to Kent, although her name is cognate with various other goddesses of dawn and light, such as Austriahenea and Ausrine.
Various animals are associated with the festival of Easter in folklore (none of them are associated with the goddess Eostre): the Easter Hare, the Easter Fox, the Easter Stork, and the Easter Cuckoo, all of which bring eggs. None of them are particularly cute and fluffy, so didn’t work too well on Easter greetings cards, unlike chicks and bunnies. And none of them are fertility symbols.
What can fictional religions tell us about real religions? Are constructed religions just as valid as ancient ones? What about real-world religions based on fictional ones? One impetus for creating constructed religions is for use in jurisdictions where religious activity is imposed by the authorities – but people often find that their joke religion then takes on a life of its own.
Thista Minai (2017), Casting a Queer Circle: Non-Binary Witchcraft. Hubbardston, MA: Asphodel Press.
Aimed at everyone who finds that binary and heterocentric approaches to witchcraft do not fit actual lived reality, this book is an outstanding guide to crafting an inclusive, non-binary approach to ritual. It contains a complete system of magic, ritual, symbolism, festivals, and ritual roles, all designed to be inclusive, safe, creative, and genuinely transformative.