An update on my 2015 post. New items are mostly in the inclusive, nonbinary and queer categories. Please add your recommendations in the comments.
How the inclusive Wicca logo happened.
I was making a poster for a LGBT+ ritual in 2014, and trying to think of a symbol that expresses LGBT+ Wicca. So I took the standard Wiccan triple Moon symbol and added a heart.
🌛🌝🌜 + ❤️
I didn’t really think about it — the symbol sort of came down my arm, bypassing my brain, and manifested on the paper.
The heart could be seen as an hommage to the Sufi winged heart or Tughra Inayati symbol (and there is a connection between Sufism and Wicca, via the friendship between Gardner and Idries Shah).
The heart mainly represents the idea that love (in all its glorious diversity) is the central mystery of Wicca. Also that Love is love, or “All acts of love and pleasure are Her rituals” — hence also the title of my 2014 book on inclusive Wicca.
A video in which I read an excerpt from my book, The Night Journey: Witchcraft as Transformation. I was particularly pleased with this chapter, as I think it’s very poetic and has some powerful imagery in it.
One of the rituals of inclusive Wicca is the two chalices ritual. This has evolved over a couple of decades to become something more than I originally envisaged, as is often the way with traditions, which are evolving and fluid. It started life as a ritual for women-loving-women, and evolved into a ritual for everyone, but retaining its original symbolism.
In 1983, when I was in my teens, my best friend came out to me as gay. The world was very different back then: no same-sex marriage, no civil partnerships, no Internet, no mobile phones, no sat-nav, and obviously no social media either; not even digital cameras.
I thought regular readers of Dowsing for Divinity might like to know that I now have a public Instagram account, @birdberrybooks, where I will be posting videos, talks, photos, book reviews, and news of upcoming events and workshops.
There is still considerable confusion over what inclusive Wicca actually is. In part, this could be because the people who are confused about it haven’t read my book, All acts of love and pleasure: inclusive Wicca (available on Kindle and in paperback), or the short guide to being an inclusive coven.
Thista Minai (2017), Casting a Queer Circle: Non-Binary Witchcraft. Hubbardston, MA: Asphodel Press.
Aimed at everyone who finds that binary and heterocentric approaches to witchcraft do not fit actual lived reality, this book is an outstanding guide to crafting an inclusive, non-binary approach to ritual. It contains a complete system of magic, ritual, symbolism, festivals, and ritual roles, all designed to be inclusive, safe, creative, and genuinely transformative.
So there’s yet another Generation X person holding forth about the “fragility” of millennials, specifically LGBTQIA millennials.
Argh. I wish my generation (and the Boomers) would stop with constructing millennials as fragile and having a victim mentality.
Yes, sure, college-age kids see everything as black and white. So did we when we were that age. They will grow up and learn some nuance. And as a university professor it’s her job to din some nuance into them, and an understanding of queer history.
Every generation thinks it is the most radical there has ever been, and looks upon its elders with pity. It’s part of being young (at least it is in Anglo-American culture). And every older generation rolls its eyes and points out that we did manage to achieve some liberation from oppression.
There were plenty of rigid assholes in our generation too. How about the fact that when I was at university (1986-1990) there wasn’t an LGBT society: there was a separate lesbian society and gay society. Nothing for bisexuals and transgender people. And the lesbian society was full of people who thought that having sex with men, or looking femme, or even having sex with women, was “selling out to the patriarchy”.
February is LGBT History Month in the UK, and there are events exploring queer history up and down the country. Oxford Brookes University has an excellent programme of events, and the other day I went to the first event of LGBTHM 2017, the launch of an exhibition of Claude Cahun’s photographs, which included a film about Claude Cahun by Lizzie Thynne.