Me reading part of the chapter on the night journey, from The Night Journey: Witchcraft as Transformation.
You can get the book from Lulu, Amazon.co.uk, Amazon.ca, Amazon.com etc. It is also available as an ebook.
The article by Sabina Magliocco that I referenced is Who was Aradia?
A video in which I read an excerpt from my book, The Night Journey: Witchcraft as Transformation. I was particularly pleased with this chapter, as I think it’s very poetic and has some powerful imagery in it.
A video in which I read an excerpt from my book Dark Mirror: the Inner Work of Witchcraft, all about the inner work and why I think it’s important.
In 1983, when I was in my teens, my best friend came out to me as gay. The world was very different back then: no same-sex marriage, no civil partnerships, no Internet, no mobile phones, no sat-nav, and obviously no social media either; not even digital cameras.
If you are looking for a clear explanation of lineaged, initiatory witchcraft, this is it. If you are looking for a coven, thinking of joining a coven, or merely curious, I would recommend reading this book. Even if you are an experienced Wiccan initiate, you could benefit from the perspectives offered in this book.
If your coven is open to seekers, this book should go straight to the top of your recommended reading list, for seekers, new initiates, and even old hands. It’s clearly written, engaging, well-structured, and scholarly.
I thought regular readers of Dowsing for Divinity might like to know that I now have a public Instagram account, @birdberrybooks, where I will be posting videos, talks, photos, book reviews, and news of upcoming events and workshops.
There is much talk in initiatory Wicca of things being “oathbound”. However, a piece of knowledge cannot be oathbound. Oaths and vows are binding on those who swear them, not on the things they swear to protect or keep secret. A person is oathbound, not an item of knowledge.
The night journey: witchcraft as transformation
This book is aimed at witches who want to deepen their engagement with their Craft. It explores modes and types of ritual; how rituals work; the uses of sound and silence in ritual; the witch’s journey through life; the stages and pitfalls of the inner work. It shows how Queer Witchcraft is an inherent aspect of the archetype of the witch; how witchcraft relates to the land; witchcraft as resistance to oppression; working with ancestors; the witch’s pact with spiritual powers; the relationship between madness, shamanism, and witchcraft; and the concept of the night journey, another very old image from the history of witchcraft; how to use insights gained from the practice of witchcraft in everyday life; group dynamics; being a coven leader; teaching and learning in a coven; egregore, lineage, upline, and downline; power and authority; the process of challenging oppression; how to evaluate your Craft; the meaning and purpose of ‘spirituality’, religion, and magic; the archetype of the witch and what it means.
When I was writing Dark Mirror
, I didn’t realise until I stitched all the files together that I had written 150,000 words. So I thought the best thing to do would be to split it into two books, and this is the second of the two. Its focus is more on traditional witchcraft, the land, and resistance to oppression. I chose the title partly because a friend commented that she really liked the phrase, partly because the concept was so central to ideas of witchcraft in past centuries, and partly because of its resonance with other esoteric traditions.
It is often assumed that the purpose of religion is to shape its adherents into nicer people. However, a quick look at the number and variety of unpleasant people in every religious tradition gives the lie to this idea. If religion doesn’t make people nicer, what is it actually for?
It is a useful magical and intellectual exercise to examine each segment of your ritual structure, and ask yourself why you do it in the particular way that you do. Why do we sweep the circle, consecrate it with water, salt, and incense, cast it with a sword, and so on? What is the function and symbolism of each of these actions? Can they be improved – either in the sense of making them more magically effective, more reflective of reality, or more inclusive?